「BrownHair」F4号　油彩　２０１６作　個人蔵
グリフィンドールにいそう。

２月は個展でバタバタして一枚も絵が完成しませんでしたが、良いものが出来そうな予感がしてます😫 pic.twitter.com/YOqg3ucF1y

— 岡靖知 (@yasutomooka) March 1, 2018

Your next guess might be that they’re CG, but that’s not the case either. That’s because Oka is a painter, and these amazingly lifelike portraits are all actually oil paintings.

「花浅葱」F6（410×318mm）油彩　２０１６（売約済）
朝起きて、あくびが３回連続ででたら「今日は休め」のサインです🙂
今日は個展後のライフワークにしてる、まったくお金にならないコラム書きます。 pic.twitter.com/qD45tR2Kl4

— 岡靖知 (@yasutomooka) February 11, 2018

While Oka says there are real-life models for the women he paints, their actual appearance is merely the starting point from which he makes alterations to arrive at the image he wants to create.

油絵で、主に人物画を描いております。
写真ではなくて絵画ですよ～😆
よろしくお願いいたします。
#私の作品もっと沢山の人に広がれ祭り pic.twitter.com/B7isLLn8FT

— 岡靖知 (@yasutomooka) March 8, 2018

Not surprisingly, creating such intricate artwork is a major time investment. The portrait of the woman in the cream-colored kimono that appears in the upper left corner, for example, took about 20 days to complete, Oka estimates.

「白百合の麗人」額バージョン
このデザイン額が一番のお気に入りだったのですが廃盤になってしまいました、トホホ、、😫
額は見栄えももちろんの事、紫外線からくる変色や粉塵防止の意味でも着けたいところ。
ただ結構お高いんで、まだ値段の安い作家は無くても仕方がないかと思います。 pic.twitter.com/NuYjVIR4We

— 岡靖知 (@yasutomooka) February 14, 2018

Along with his ability to blend smooth body counters with stiff hair and eyelash detail, part of what makes Oka’s artwork so realistic is his use of color, as even the eyes he paints are shown reflecting the in-painting light.

鉛筆画の作品も描いております。
モノクロ写真じゃないですよ～😆
よろしくお願いいたします。 #私の作品もっと沢山の人に広がれ祭り pic.twitter.com/oCNgLav23W

— 岡靖知 (@yasutomooka) March 10, 2018

That’s not to say Oka has to use color to impress, though, or even brushes. His pencil sketches are also incredible, if not quite as likely to fool people into thinking they’re looking at an actual person.

「黒衣の少女」F4号　（個展にでません）
なぜ一年でもっとも寒い時期を個展の会期に選んでしまったのか今となっては謎です（ ﾟ ρ ﾟ ) pic.twitter.com/BiCbsK0ttu

— 岡靖知 (@yasutomooka) January 28, 2018

Unfortunately, Oka’s most recent gallery exhibition, which took place at Site Aoyama in Tokyo, wrapped up in February. However, if you’d like to see his work in person, either to admire it close-up or to convince yourself that it’s really not a photo, the artist posts information on upcoming exhibitions on his website here, or follow him on Twitter.

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